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banquethall: Claire Fontaine, Change, 2005. Twelve 25-cent coins, steel box-cutter blades, solder, and rivets. Courtesy of the artist and Galerie Neu, Berlin.   AH Speaking of being two things at once, I wanted to bring up the question of anarchist politics and art’s relationship to the market. You work inside the market: you show in galleries, you sell art, you are inside the system … How do you respond to those who make the easy accusation that you’re complicit with capitalism? Is any artist not complicit with capitalism? What does “complicity” even mean, in art, today? Is art somehow a model for contemporary management? CF Inside, outside … these are things we don’t understand. Who says that? There is no such thing as a defined outside of capitalism anymore, and the inside is so full of holes that billions leak out of banks just because of some unauthorized trading by an anonymous broker. via their BOMB Magazine interview love claire fontaine. love.
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banquethall: Peter Saville: “I never had to answer to anyone”
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albietina: Teddy Girls 
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fromthere: (via stripes | Flickr - Photo Sharing!)
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womenandtheword: In response to the AIDS crisis of the 1980s and early ’90s, a range of activist groups, including ACT-UP and Gran Fury, created this group of 230 photomontage posters, stickers, pamphlets, and laser prints. Original Image courtesy of The International Center for Photography
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Gran Fury, “Art is Not Enough” (1988), printed in the Village Voice
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